nothing under my skin but light.

if you cut me I could shine.
May 12
Permalink

apoetreflects:

I’ve tried to trace the reverie
I know is sourceless.  Why I love
that shade of blue the veins become
when you press a thumb against my wrist.
Why I take the sighting of the bunting
weighing down the branch of pine
as a sign it’s lost, looking for its mate.

—Ira Sadoff, from “Mood Indigo” in The Bread Loaf Anthology of Contemporary American Poetry, edited by Robert Pack, Sydney Lea, and Jay Parini (University Press of New England, 1985)

May 11
Permalink
Permalink
Permalink

I actually shed a real-life single tear at this moment. Perfect woman, perfect show, perfect finale.

(Source: steph-was-here, via dickfish)

May 09
Permalink
alternate-kallie:

ya I braid dat shit



and on the side i’m a hair model

alternate-kallie:

ya I braid dat shit

and on the side i’m a hair model
May 08
Permalink
My favorite, for a Sendak send-off.

My favorite, for a Sendak send-off.

May 07
Permalink
omgomg dead, sorry guys

omgomg dead, sorry guys

(via chekhovandowl)

Permalink
alphabetspine:

No justice, no peace.




preach

alphabetspine:

No justice, no peace.

preach

(via suicideblonde)

Permalink
Permalink
Just bought this dress. 


yesssssssss

Just bought this dress.


yesssssssss

Permalink
May 06
Permalink

(Source: tedrogers)

Permalink
cavetocanvas:

Garry Winogrand, Central Park Zoo, New York City, 1967
From the Getty Museum:

Garry Winogrand caught this young woman’s graceful gesture and unflinching gaze as he photographed her at a public gathering in Central Park. It looks as if she is performing for the camera, but she may be flying a kite. Winogrand was fully aware that his own gaze was a male one. He liked to trace the origins of his intense interest in photographing women to his teen years, when he worked briefly as a walk-on actor at the ballet. Later, he often found that a certain amount of flirtation was involved when taking pictures of women. Winogrand produced a book of his photographs of anonymous women, including this image, in 1975. He planned to title the book “Confessions of a Male Chauvinist Pig,” but his publisher changed it to Women are Beautiful. Despite his joking provocations, Winogrand’s intentions were serious. He said of the women he observed, “I suspect that I respond to their energies, how they stand and move their bodies and faces.” 

cavetocanvas:

Garry Winogrand, Central Park Zoo, New York City, 1967

From the Getty Museum:

Garry Winogrand caught this young woman’s graceful gesture and unflinching gaze as he photographed her at a public gathering in Central Park. It looks as if she is performing for the camera, but she may be flying a kite. 

Winogrand was fully aware that his own gaze was a male one. He liked to trace the origins of his intense interest in photographing women to his teen years, when he worked briefly as a walk-on actor at the ballet. Later, he often found that a certain amount of flirtation was involved when taking pictures of women. Winogrand produced a book of his photographs of anonymous women, including this image, in 1975. He planned to title the book “Confessions of a Male Chauvinist Pig,” but his publisher changed it to Women are Beautiful. 

Despite his joking provocations, Winogrand’s intentions were serious. He said of the women he observed, “I suspect that I respond to their energies, how they stand and move their bodies and faces.” 

May 02
Permalink
Ahh! I really hope they delve into the ~drug use~ next season! Just a little bit, please!

Ahh! I really hope they delve into the ~drug use~ next season! Just a little bit, please!

(Source: coeykuhn, via whenucatchfire)

Apr 30
Permalink

longdivisionnnn:

jessicavalenti:

The Obama campaign has released a video on how horrible Romney would be for American women. I certainly don’t need convincing - but if I did, this would likely do it. 

The only problem I have with this is the trans* erasure, but otherwise frighteningly spot on. 

aaarrrghhh

(via beautiful-but-mental)